Self Portrait In Sugar: MAK, Lighthouse Studios, Shacklewell Lane, London

1 - 21 July 2017

Curated by Sylwia Serafinowicz

 

Chila Kumari Burman played a crucial role in the emancipation of the image of an Asian woman since 1980s. Burman, breaks the stereotype of a submissive and motherly figure through subversion of the popular images of womanhood. Found images are often a starting point for her heavily embellished portraits, partly figurative, partly abstract where seductive silhouettes are confronted with bold verbal narrative, prints of the artists’ body and punk slogans. Burman through her work popularizes the knowledge of such crucial figures for the history as Rani of Jhansi, who fought against the British army in India during the so-called Mutiny of 1857; she features in Burman’s etching where she is portrayed as a ‘Rebel without Pause’ and a ‘Prophet of Rage’, after the Public Enemy song. Other important figures appearing in Kumari’s work are the powerful goddess Kali, screen stars such as Nargis and Meena Kumari and the artist herself. Burman treats her own image as a point of departure for her in-depth analysis of both Eastern and Western imagery of women. This solo show will present a selection of her historic and contemporary work including etchings, prints, photographs and collages.

 

Private View followed by a screening of films by Chila Kumari Burman at Brady Arts & Community Centre, 192-196 Hanbury St, London E1 5HU

 

 

The event was part of Associate Programme of Art Night, a free contemporary arts festival in extraordinary spaces, with an aim to transform London’s East End with art, performance and music by some of the world’s leading artists for the night of Saturday 1 July 2017.